Tänan südamest oma kolleege.
Õpetajad läbi aastate / Teachers throughout the years
Me kummardame sügavalt kõigi ees / We bow in deep gratitude
Dorothea Magonet (London, Royal Academy of Music)
Masoumeh Atabaki Melrose (Doublin)
Richard Gilbert (lahkunud – ) Cornwall
Steven Shaw (London)
John Hunter (London)
Peter Ribeau (London)
Cat Jary – LAHKUNUD Inglismaa
Mitsi Pippa – lahkunud – London
Karen Wentworth (London)
Ken Thomson London)
Refia Sacks (London)
Roger Kidd (London)
Jo Fisher London
Rod Ficher London
Jude Trisdal (London)
Mika Hadar (London)
Colin Beattie (London)
Maya Galai (London)
Päivi Saraste – (Helsinki)
Hannele Kiikkala (Tampere)
Matti Luoto – (Helsinki)
Auli Hohenthal -(Helsinki)
Sirpa Tapaninen – (Tampere)
Matti Harilo – (Tampere)
Soile Lahdenperä . (Helsinki)Teateri korkekoulu – Uniarts Helsinki’s Theatre Academy
Laura Partanen – (Helsinki)
Riitta-Liisa Helminen – (Tampere)
MInkki Hulden – (Helsinki)
Vertti Pöllönen (Soome)
Enni Lakkala (Soome)
“It is said that when a conductor raises her hand, this gesture called the upbeat should already contain the whole piece — its tempo, dynamics, mood, everything — so the musicians can get a glimpse of the piece as a whole. They should get the hint of the direction in the pause right before the music starts. This upbeat reminds me of the technique. I need to raise my hand in order to drop it, I need to inhale to exhale, I need to stop to sense movement. But I am no musician, just an acting student, so I should probably stick to what I know. Stanislavski has a term “the given circumstances”. In order to play a character I have to know all the circumstances she is in. The better I know who she is, why she is like that, where she is, where does she go, where does she come from, the better I can live her life. But I think this applies to real life also — the better I know my given circumstances, the better I can live my life and I think the technique is one of the best ways to get to know my given circumstances. During my practice I have discovered many circumstances and met quite a clumsy and a bad version of myself, but I believe that the moment I witness the bad version of myself I also witness the possibility of the best one.”
